Our House

An illustration of how bigger often isn’t better when it comes to remakes, “Our House” applies a coat of professional polish to Matt Osterman’s no-budget 2010 regional indie “Phasma Ex Machina” (aka “Ghost in the Machine”) that wipes the personality clean off this supernatural tale about messing with forces beyond one’s control. The story basics remain, involving a machine that summons spirits both wanted and unwanted to a grieving family. But what this still modest yet considerably slicker upgrade gains in surface gloss and FX, it loses in psychological intensity and suspension of disbelief — qualities heightened by the prior film’s handmade origins.

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