Stephanie

The horror genre often derives much of its appeal from playing into expectations and generating visceral terror at the same time. That’s certainly the case with “Stephanie,” a more-than-competent entry in the creepy kid subgenre that doesn’t break new ground but manages to find its footing anyway. Directed on a microbudget scale by “A Beautiful Mind” screenwriter Akiva Goldsman, the movie never crystalizes into the ominous extremes of “The Omen” or “The Bad Seed,” but it nevertheless develops a prevalent eeriness around the chilling performance of a young child.

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